trackermini-scaled.jpg

Polyend’s Tracker Mini adds stereo sampling features, clock improvements


Polyend’s Tracker Mini got a big firmware update today, including stereo line-in sample recording and other stereo sampling features, and much-anticipated internal clock accuracy improvements. Mod import is back in beta, too.

Here’s what new features you get in the Tracker Mini 1.1 firmware (versus 1.0.1) – emphasis mine (ahem):

  • Added a third page of parameters on the Pattern editor with:
    • Pattern naming
    • Track naming
  • Stereo sample improvements:
    • Sample Recorder – Line in source recording in stereo
    • Sample Loader – stereo samples from SD card previewed in stereo
    • Sample Loader – Import mode in stereo
    • Updated Config – “Line in channel” parameter description
  • Sample recording time has been extended to the maximum length that can fit the sample memory
    • Around 700 seconds for mono and 350 seconds for stereo samples
  • Preview of samples from SD card added to USB Audio master channel
  • Metronome added to USB Audio master channel
  • Improved internal clock accuracy
  • Adds Beta Import Mod / Export As .it  as it worked in Tracker 1.6
  • Various cosmetic and functional UI improvements

Clock improvements have been coming to the full Polyend line – 1.0 also improved internal and MIDI clock stability and minimized jitter, plus added a redesigned clock sync correction in MIDI config. I haven’t been able to test this much first-hand, so Polyend Tracker owners, let us know how that’s working for you in comments.

The download and a full changelog back through 1.0 (including fixes) is available on the Polyend website:

https://polyend.com/downloads/tracker-mini-downloads/

And here’s Benn Jordan with some hands-on time on this one from launch – so not including these latest improvements:

I got only mini amounts of time, so here’s a really really quick guide to the Tracker Mini:

Performance setup:

And the stereo and granular stuff that got us excited last year:

Mmm, field recording. Wait – you can make that into a song? Like, you don’t have to just drown a bunch of noisy recordings of a pond with infinite reverbs and make it last 20 minutes?

I… may have revealed myself as an “experimental musician” (dubious use of the second word in that phrase).





Source link

Share this post