Roland just dropped a huge update for their SP-404 MKII, with a bunch of new features for playing and processing sound – including TR-REC step sequencing. Here’s your guide, if you’re lucky enough to have one of the units.
What’s new, in short – a ton of stuff that makes this unit make more sense:
- TR-REC step sequencing
- Scale input and polyphony/legato in chromatic mode
- Pattern sequencing is expanded, and you can record chromatic playing into patterns
- New encoding options for pitch/speed
- Enhanced DJ mode with crossfader, pattern support, and roll
- New effects: Cloud Delay, SX Delay, SX Reverse, BackSpin, Harmony
- SP-303-style reverse playback
- USB audio input can send directly to line out – that’s interesting, actually, that makes the USB in a bit like a traditional Roland MIX IN
There are a ton of other little workflow enhancements, too.
So here’s a quick reference so you can dive in:
Chromatic Mode
SHIFT + PAD4 and you can record in patterns – or in real-time recording, start playing in chromatic mode
Press REMAIN to toggle between three chromatic mode options: mono, legato, or poly
Hit ERASE MODE (DEL) to undo notes, just as in real-time recording.
Yeah, this will be a heck of a lot less confusing for those of us coming from MPC and Maschine workflows. Ahem.
TR-REC Mode
In addition to real-time recording, you also now get TR-REC step sequencing, which is great news for those of us used to Roland drum machines.
Enter TR-REC mode using RECORD SETTING > REMAIN to toggle, then hit REC. The 16 pads are steps, with support for up to 1024 steps using multiple pages.
There are some nice features here. TRIG MODE assumes that the triggered sample will be gated at the end of the step length; HOLD STEP allows you to trigger sample durations longer than a single step.
TRIG MODE: substep (multiple triggers per-step), pitch chromatic, velocity
MOTION recording for each of those modes
START timing can be shifted on each step
HOLD STEP mode with gate length (1-32, LAST – last cuts at the end of the pattern)
PITCH PAD locks the pad slot itself to a particular pitch (as opposed to the chromatic mode, which is not impacted by the pad’s pitch setting)
So yes, that’s a very Roland SP way of handling this, but that’s part of the appeal.
Also quite clever, you no longer stop playback when switching between recording modes, so you can move fluidly through modes and your patterns keep playing.
SP-303 style reverse
([UTILITY] > [SYSTEM] > [GENERAL] > [Reverse Type] > [303])
I like this way of doing reverse – it’s triggered immediately per-pad. My notes from Roland suggest you may want to play with GATE, LOOP, and PING PONG settings in various combinations.
It all looks great to me. If you’ve got one of these, let us know what you think – and I’d love to hear some jam sessions, too, if you’ve got them. It’s great to see the SP-404 back in action in live sets, whether the MKII or the older SPs.
https://www.roland.com/us/products/sp-404mk2/
Previously:
